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Alton Ellis, he would let me play his guitar, gave me tips on how to sing.
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“As a youth, at first I would listen to American music – Stevie Wonder, Patti LaBelle, James Brown, Otis Redding, the Impressions – and then I get to hearing the Jamaican singers. I’m looking forward to them putting out the new tunes.”Īndy is now one of the few active veterans of reggae’s golden age. But they work slow! It’s coming 10 years now since Massive Attack release an album and I think I record some six songs for them.
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And 3D” – AKA their linchpin Robert Del Naja, 57 – “is a brilliant young man. They use samplers – which I don’t like, I prefer when musicians make music – but they create interesting sounds. “I like the challenge of singing with Massive Attack, no reggae producer allow me to sing like that. He is touring solo in April, then with Massive Attack the following month. “Kingston’s home, but I’m ready to get busy again,” Andy adds. From the headquarters of his On-U Sound studio and label, Sherwood explains: “We were determined to make this record as good as it possibly could be so I would send files to Horace in Jamaica, who would add vocals at his studio there, and send the tracks back to me to do more work on. And when I’m with him I do things that are your culture – go to the pub … have a pint!”Īndy mentions not having left Jamaica for the past three years, and Midnight Rocker has indeed not been rushed. He lives by the sea and I thought it would be too cold for me but his studio is warm. Like me, he likes to take his time, not rush things. He a really good producer and a lovely man. “Adrian choose the songs and I happy with that. Andy re-versions three of his own songs alongside new material penned by UK-based artists LSK, Jeb Loy Nichols and George Oban. Midnight Rocker is produced by Sherwood and it is the first time Horace has worked with the British dub legend. Horace Andy at Tottenham Town Hall in 1985.